this worries me

mohala-sumiko:

this morning, police raided Greater St. Mark school/church in Ferguson, MO (formerly called St. Sebastian’s Parish).

community members had been using it as a safe space and staging area. police claim that the church is violating housing codes by sheltering protesters, even though the pastor has said it isn’t true.

please please please boost this. help these organizers recover the supplies they lost, and share just how fucking far these cops will sink to make the people of Ferguson suffer.

20 minutes ago824706mohala-sumiko 453 notes
?

tropigalismo:

I NEED THIS AS MY RINGTONE

20 minutes agoignitionremixposeidonsass 13,463 notes

railroadsoftware:

stylesbycyndi:

Check out @aclu_mo’s Tweet:

officer who threatens to kill white journalist fired. officer who literally kills black teen for walking in the middle of road still has job.

20 minutes ago824706stylesbycyndi 266 notes
20 minutes ago824706bepeu 171,936 notes

collegehumor:

This HR dept doesn’t negotiate with Terrorists.

Finish reading This Is The Most Passive-Agressive Office Note Battle We’ve Ever Seen

1 hour agoactuallydnniCollege Humor 142,817 notes

nostalgiaultra:

Dont be that knob who tries to be snooty about people’s universities or schools we’re all just carrots in the big debt soup

1 hour agocornerof5thandvermouthnostalgiaultra 27,177 notes
awwww-cute:

You’re not leaving me behind, right?

awwww-cute:

You’re not leaving me behind, right?

1 hour agobriansellaleveluncomfortableawwww-cute 71,250 notes

blackfemalepresident:

Men who silence western women by saying "You’re complaining about being called a bitch/bossy? Women in poor countries are being TORTURED! What do you have to complain about?!" don’t actually care about the women being actually tortured in these poor countries they literally just want you to shut up.

1 hour agoactuallydnniblackfemalepresident 8,642 notes

kaonashizen:

bleu:

look , i literally can’t stress how cute this deleted parks and rec scene is and im about to lose my fucking shit.

Im in love with Chris Pratt

1 hour agowinkyeyealcoholsuggestionbleu 17,820 notes

White  ✕  Babyblue

1 hour agoprincemotorcyclemilktalk 728 notes
ivygourd:

velvetrunway:

Yohji Yamamoto | RTW | FW 2012
Posted by jlsander

I love this brow shape

ivygourd:

velvetrunway:

Yohji Yamamoto | RTW | FW 2012

Posted by jlsander

I love this brow shape

1 hour agorubenesquessvelvetrunway 66 notes

danni no

1 hour ago 1 note#actuallydnni
theroguefeminist:

elliedoh:

So when Miley Cyrus or Katy Perry bring black girls on stage, dance with them, acknowledge their figures- it’s offensive and appropriating. But, when Nicki Minaj makes an entire video focusing around black girl’s asses and asserts her power, reduces these women to objects and flaunts her authority it’s YAAASSSSS NICKI SERVE IT. Is that because she’s black? So it’s okay for people of the same race to dance with each other but someone who does not share the same levels of melanin enters the picture, they’re doing something wrong? …idgi 

You’re completely ignoring context. In Lily Allen’s Hard out Here video, she literally says, “I don’t shake my ass cause I have a brain” as Black women shake their asses in her video. She is literally degrading the Black women who shake their asses in the media. The song also uses references to Black rappers (i.e. the title of the song referencing the rap song “Hard out Here for a Pimp” and her lyric “bragging ‘bout my cars or talking ‘bout my chains”), suggesting that Black rappers are more sexist than white male musicians (which isn’t true, there’s lots of sexism in all music genres) and also suggest the source of sexism in the music industry is Black people (Black male rappers and twerking Black female dancers).
In contrast, Nicki Minaj is reclaiming a song (Baby Got Back) that was made by a Black male rapper who celebrated (but also objectified) Black female bodies. Throughout her song, Nicki raps like a man would, talking about her sexual conquests with men and the size of their dicks, almost as a way of doing to men what they have done to women (objectifying their dicks as Sir Mix A Lot objectified Black women’s asses and many other men objectify women’s vaginas). She also brags about her sexual prowess and stays in control and aggressive in the video (she goes as far as cutting a banana representing a dick and slapping Drake’s hand away—the video critiques the male gaze). The target of mockery and disparagement in Nicki’s video is men and the male gaze, and the video works to reclaim agency from it.
In what way is Nicki asserting power over her dancers? In her video, she twerks along side her back up dancers and dances with them and interacts with them on the same level. She is just as scantily clad as they are. Lily Allen, however, stays fully covered in her video, does not dance provocatively, and thus contrasts her own pure and respectable femininity with the Black women, using their twerking and scantily clad bodies as an example of “bad” female sexuality and femininity—of women “objectifying themselves.” This is racist because it frames Black female sexuality as lesser than white femininity and antithetical to feminism.
In summary: Nicki’s video is very much a celebration of female Black beauty and sexuality coming from a Black woman. Conversely, Lilly Allen’s is using Black women as props to frame them as a vile or bad form of sexuality or being too sexual to prop up her own feminism.
So you might say, “what about Miley Cyrus? she twerks along side her Black background dancers too!” But here’s the problem: Miley Cyrus continually appropriates Black culture and also uses Black women as props. It does matter that these artists are white because in these cases the point of including the Black women is either to, in Lily Allen’s case, offset Black sexuality/femininity as too sexual or bad in comparison with her white femininity/feminism, or, in the case of Miley Cyrus, to get “street cred” and exotify her own sexuality by appropriating Black culture and using Black people as props to do so. See this analysis of Lily Allen’s Hard Out Here video and this analysis of Miley Cyrus by Black people who know a lot more about this than I do.
I haven’t seen anything about Katy Perry using Black dancers. I’ve just seen criticisms of her appropriating AAVE and other PoC cultures. I’m not sure why you brought her up, but maybe I just haven’t seen the videos in question.
Either way, it’s not like white artists having a diverse cast of back up dancers is a bad thing automatically. Here is an example of a white artist using back up dancers of other races without objectifying them: https://www.youtube.com/watch?v=8Ilh1ewceco (notice this artist tackles the same issue as Lily Allen—sexism/objectification in the media—without being misogynist and racist toward other women). But the examples of Lily Allen and Miley Cyrus ARE racist and Nicki Minaj’s video isn’t the same as theirs.

theroguefeminist:

elliedoh:

So when Miley Cyrus or Katy Perry bring black girls on stage, dance with them, acknowledge their figures- it’s offensive and appropriating. But, when Nicki Minaj makes an entire video focusing around black girl’s asses and asserts her power, reduces these women to objects and flaunts her authority it’s YAAASSSSS NICKI SERVE IT. Is that because she’s black? So it’s okay for people of the same race to dance with each other but someone who does not share the same levels of melanin enters the picture, they’re doing something wrong? …idgi 

You’re completely ignoring context. In Lily Allen’s Hard out Here video, she literally says, “I don’t shake my ass cause I have a brain” as Black women shake their asses in her video. She is literally degrading the Black women who shake their asses in the media. The song also uses references to Black rappers (i.e. the title of the song referencing the rap song “Hard out Here for a Pimp” and her lyric “bragging ‘bout my cars or talking ‘bout my chains”), suggesting that Black rappers are more sexist than white male musicians (which isn’t true, there’s lots of sexism in all music genres) and also suggest the source of sexism in the music industry is Black people (Black male rappers and twerking Black female dancers).

In contrast, Nicki Minaj is reclaiming a song (Baby Got Back) that was made by a Black male rapper who celebrated (but also objectified) Black female bodies. Throughout her song, Nicki raps like a man would, talking about her sexual conquests with men and the size of their dicks, almost as a way of doing to men what they have done to women (objectifying their dicks as Sir Mix A Lot objectified Black women’s asses and many other men objectify women’s vaginas). She also brags about her sexual prowess and stays in control and aggressive in the video (she goes as far as cutting a banana representing a dick and slapping Drake’s hand away—the video critiques the male gaze). The target of mockery and disparagement in Nicki’s video is men and the male gaze, and the video works to reclaim agency from it.

In what way is Nicki asserting power over her dancers? In her video, she twerks along side her back up dancers and dances with them and interacts with them on the same level. She is just as scantily clad as they are. Lily Allen, however, stays fully covered in her video, does not dance provocatively, and thus contrasts her own pure and respectable femininity with the Black women, using their twerking and scantily clad bodies as an example of “bad” female sexuality and femininity—of women “objectifying themselves.” This is racist because it frames Black female sexuality as lesser than white femininity and antithetical to feminism.

In summary: Nicki’s video is very much a celebration of female Black beauty and sexuality coming from a Black woman. Conversely, Lilly Allen’s is using Black women as props to frame them as a vile or bad form of sexuality or being too sexual to prop up her own feminism.

So you might say, “what about Miley Cyrus? she twerks along side her Black background dancers too!” But here’s the problem: Miley Cyrus continually appropriates Black culture and also uses Black women as props. It does matter that these artists are white because in these cases the point of including the Black women is either to, in Lily Allen’s case, offset Black sexuality/femininity as too sexual or bad in comparison with her white femininity/feminism, or, in the case of Miley Cyrus, to get “street cred” and exotify her own sexuality by appropriating Black culture and using Black people as props to do so. See this analysis of Lily Allen’s Hard Out Here video and this analysis of Miley Cyrus by Black people who know a lot more about this than I do.

I haven’t seen anything about Katy Perry using Black dancers. I’ve just seen criticisms of her appropriating AAVE and other PoC cultures. I’m not sure why you brought her up, but maybe I just haven’t seen the videos in question.

Either way, it’s not like white artists having a diverse cast of back up dancers is a bad thing automatically. Here is an example of a white artist using back up dancers of other races without objectifying them: https://www.youtube.com/watch?v=8Ilh1ewceco (notice this artist tackles the same issue as Lily Allen—sexism/objectification in the media—without being misogynist and racist toward other women). But the examples of Lily Allen and Miley Cyrus ARE racist and Nicki Minaj’s video isn’t the same as theirs.

1 hour agorubenesquesselliedoh 4,429 notes

dragonheartedrabbit:

Going on right now in Ferguson: Police are raiding a church that has been stocked with medical supplies, food, and tear gas recovery kits for community members engaging in protests. This cannot be allowed to continue.

Stand up, speak out. 

1 hour agobriansellaleveluncomfortabledragonheartedrabbit 30,174 notes
I am not Mike Brown. I am white. I am middle class. I am female. I am small. I am not considered a threat. When police see me they see someone who looks like them. They see their mothers, their daughters, their sisters, themselves. I am not at risk of being shot by police for existing while black. I am not at risk of being shot while unarmed. I am not at risk of being shot while armed with nothing more than a BB gun. I am not at risk of being shot for reaching for my wallet. I am privileged.
But I am outraged. And if you aren’t outraged, then you aren’t paying attention. This is America in 2014. This is our reality. It’s so easy to get jaded and to ignore these atrocities, to act like this doesn’t affect us. It’s so easy to get apathetic. In the past it was the youth who protested. Where is the rage of the youth? Where is our rage?
Like I said, I am not Mike Brown. But I am outraged.
- : I am not Mike Brown.  (via fitle-tight)
1 hour agoactuallydnnisolipsistic-interjection 35,366 notes
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